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Lets Talk Technicolor: 2-Strip, 3-Strip, Everyone Strip Technicolor threads have been started and died a quick death around here, which is surprising given most of our ages But doesn't the Golden Age (1934-1955) of Three-strip Technicolor really turn you on, or does it look garish? Here's one from The Private Lives of Elizabeth and Essex (1939)
Are Technicolor and Deluxe still relevant? - Steve Hoffman Music Forums Technicolor sorta kinda exists in digital filmmaking today, in three ways: 1) Technicolor still exists as a post-production facility, though all their labs in North America are now closed; 2) filmmakers sometimes want a very vivid, old-school "Technicolor look," which we can do electronically simply by punching up the saturation levels; and 3
Lets Talk Technicolor: 2-Strip, 3-Strip, Everyone Strip Yeah, you're right about the capture filtering process to arrive at gray scale B W positives for dye transfer IB color positives Hears an article I bookmarked from the previous discussions on Technicolor where the original camera did use red, green and blue filters Technicolor 3 Strip It's the final matrices cyan, magenta and yellow hues you have to get right to get the classic look or
Films with the Movielab or Metrocolor process Note that Technicolor, CFI, Metrocolor, and Movielab all used similar lab practices and Kodak stock, so there was no real technical difference between the work they did There were studios that would shoot on Kodak negative stock but print on Fuji film in order to save a few cents
Do you like movies shot in technicolour? - Steve Hoffman Music Forums For the vast part of the last 40 years, Technicolor was just a big film processing lab with worldwide branches in NY, Burbank, London, Vancouver, Toronto, Tokyo, Rome, and many other cities They handled both Kodak and Fuji film, and could print on whatever kind of stock you wanted "Technicolor" was just a brand name
Best looking three strip Technicolor film on blu-ray Again, not a 3 strip Technicolor movie It looks stunning because of the extra clarity of the Vistavision process (twice the film area), and probably the release prints were done by Technicolor, but the film itself was shot on "conventional" modern Eastman color negative, and not on three separate B W negatives (which is what 3-strip consisted in)