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Home of everything from legendary bassist Ron Carter Welcome to the interactive discography of legendary bassist Ron Carter! No mere list, this is an encyclopedia of music history with personal anecdotes from the man himself Explore thousands of songs in genres spanning jazz, classical, rock, pop, soul, film scores, hip-hop and spoken word
Ron Carter talks about jazz, life and his upcoming 87th birthday In a remarkable career spanning over 60 years, Ron Carter has become the most recorded bass player in history Carter celebrates his 87th birthday Saturday, and he spoke with KNKX about his life in music
Ron Carter Musician - All About Jazz Ron Carter is among the most original, prolific, and influential bassists in jazz With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B B King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons
Ron Carter Universe Ron Carter is among the most original, prolific, and influential bassists in jazz history, helping to shape the genre while transcending its bounds In honor of the vibrance and elegance of his life’s work, Ron’s team paired up with Fathom Information Design to create this immersive discography
Ron Carter - Simple English Wikipedia, the free encyclopedia Ronald Levin Carter (born May 4, 1937) [1] is an American jazz double bassist He appeared in over 2,220 recording sessions, making him the most-recorded jazz bassist in history [2] Carter has three Grammy Awards [3] Carter is also a cellist who has recorded many times on that instrument [4]
Ron Carter – Artist Biography | tonebase Double Bass Ron Carter The most recorded jazz bassist in history, Ron Carter's career has spanned over 6 decades and he has anchored the bands of jazz luminaries such as Miles Davis and Hank Jones
Ron Carter: Genius Revealed - Bass Magazine Among the many magic moments in Finding the Right Notes is when Ron Carter and Jon Batiste take an impromptu turn through the standard, “Sweet Lorraine,” with Carter presenting some alternate chord changes and Batiste reacting to them in delight