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I Can Stay Safe (maybe a holding hands pic or kid inside . . . * Sometimes I think about going outside * When we are visiting friends or family, I need to stay inside while mommy or daddy are visiting Sometimes I want to go outside when we are visiting I need to: “Stop! Stay Inside!” * If I stay inside, I stay safe and mommy or daddy knows where I am Inside, I can play with my “To Go Bag” of toys I can play with friends, with my brother, or
Chapter 5 * * * * * * * * * * * * * * * * * * * CAN BE COUNTED WITH NUMBER ARE IN SINGULAR OR PLURAL FORM * * one bracelet two bracelets three bracelets NOUNS: COUNTABLE AND UNCOUNTABLE * SINGULAR PLURAL a pen one pen COUNT NOUN pens three pens some pens a lot of pens SINGULAR: a + noun one + noun PLURAL: noun + -s NOUNS: COUNTABLE AND UNCOUNTABLE A
NARRATIVE TENSES - WordPress. com When we narrate a story, we use: PAST SIMPLE PAST CONTINUOUS PAST PERFECT PAST PERFECT CONTINUOUS WOULD USED TO We use narrative tenses when telling a story, or talking about situations and activities which happened at a past time When telling past events, DO NOT mix past and present tenses PAST SIMPLE TENSE We use simple past tense to express a completed action at a definite time in the past
RECAP - deq. louisiana. gov Assumption of Dose Additivity: Carcinogens 1 Multiple chemicals: RiskT = Riski 2 Multiple exposure pathways: Total Exposure Cancer Risk = Riskpathway1 + Riskpathway2 + … + Riskpathwayi RAGS-A EPA 1989 Carcinogens and the RBCA Approach A target risk level of 10-6 for individual chemicals and pathways generally will lead to a cumulative risk within the 10-6 to 10-4 range (SSG 1996) Total
PowerPoint Presentation * WHEN SOLDIERS ARRIVE AT HIS HOMETOWN IN CAMBODIA, ARN IS JUST A KID, DANCING TO ROCK 'N' ROLL, HUSTLING FOR SPARE CHANGE, AND SELLING ICE CREAM WITH HIS BROTHER BUT AFTER THE SOLDIERS MARCH THE ENTIRE POPULATION INTO THE COUNTRYSIDE, HIS LIFE IS CHANGED FOREVER ARN IS SEPARATED FROM HIS FAMILY AND ASSIGNED TO A LABOR CAMP: WORKING IN THE RICE PADDIES UNDER A BLAZING SUN, HE SEES THE OTHER