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LONELY ARTS NICK WILTSHER, LONELY ARTS, Metaphilosophy, Vol 48, No 5 (October 2017), pp 798-812
Microsoft Word - Spring 2021 Engl course descs. docx ENGL 1502 Feature Writing Wed 5:30-8:00 Chavie Lieber All great storytelling shares the same narrative principles — captivating incidents, enthralling characters, a narrative arc — and these all help turn interesting anecdotes into features This course will help you master those skills Together, we will study and analyze the different formats of features in journalism, moving from
ENGLISH DEPARTMENT COURSE DESCRIPTIONS Summer Fall 2013 Introduction This booklet contains descriptions of the undergraduate courses offered by the English Department in the Summer 2013 sessions and Fall 2013 semester This information, used in conjunction with the Hofstra University Bulletin, will enable you to make more informed decisions when choosing your courses In addition to the courses described here, qualified students may take
The Aesthetics of Ideology, or The Critique of Ideological . . . ferences between the formulations of its leading spokespersons 2 did not spring fully formed as a critical-theoretical category in 1846, and it is arguable whether ideology-critique's object fully stabilised since The German Ideology alone, significantly, least two different notions of ideology: one epistemologico-philosophical (ideology as false consciousness, the camera obscura image
Introduction: Analytic Aesthetics: Retrospect and Prospect As I originally confessed, the retrospective analysis and assessment of analytic aesthetics is motivated not by mere historical curiosity about its past, nor simply by doubts about its partic- ular future, but more urgently by concern for the general future of philosophical aesthetics If so-called continental theory has successfully challenged the analytic hegemony in Anglo- American