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Anne-Louis Girodet de Roussy-Trioson - Wikipedia Girodet used much of his time on literary composition His poem Le Peintre (rather a string of commonplaces), together with poor imitations of classical poets, and essays on Le Génie and La Grâce, were published posthumously in 1829, with a biographical notice by his friend Coupin de la Couperie
Anne-Louis Girodet | Neoclassical, Romanticism, Portraits | Britannica Anne-Louis Girodet (born January 29, 1767, Montargis, France—died December 9, 1824, Paris) was a painter whose works exemplify the first phase of Romanticism in French art Girodet began to study drawing in 1773
Anne-Louis Girodet - 30 artworks - painting - WikiArt. org Anne-Louis Girodet (also given as Anne-Louis Girodet de Roucy-Trioson, Anne-Louis Girodet-Trioson) (29 January 1767 – 9 December 1824) was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings
An Introduction to Girodet: From Neoclassicism to Romanticism Anne-Louis Girodet worked within two eras of art: the Neoclassical movement and the Romantic movement What remained consistent throughout his career was his love of the sensual, mysterious, and eventually sublime
Anne-Louis Girodet de Roussy-Trioson | National Galleries of Scotland Girodet was named 'de Roussy' or 'de Roucy' after a forest near his family home, Chateau du Verger, Montargis He took the name Trioson in 1806, when he was adopted by Dr Benoit-Francois Trioson, who was his tutor, guardian and probably his natural father
English Version - Musée GIRODET Born in the city of Montargis, Girodet studied in David’s studio, and was a forerunner of Romanticism The portraits of Dr Trioson, the painter’s adoptive father, and his son, Benoist-Agnès, are the jewels in the Musée Girodet’s crown
Anne-Louis Girodet de Roussy-Trioson — Google Arts Culture Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet, was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic
(Getty Museum) Girodet soon returned to Paris, where he earned his living by drawing illustrations and painting portraits Although he scandalized the 1799 Salon with satirical sexual references in his portrait of a courtesan with her protector, Napoleon I nonetheless honored him with commissions