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City Lights Review :: Criterion Forum <I>City Lights< I>, the most cherished film by Charlie Chaplin, is also his ultimate Little Tramp chronicle The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (a magical Virginia Cherrill) and mistakes him for a millionaire Though this
Charlie Chaplin and Criterion - CriterionForum. org City Lights only has one cut, but with the option of the original 1931 score or the 1988 Carl Davis re-recording Only physical change is a single title card with the United Artists credit blacked out Modern Times only has two physical changes: opening titles poorly altered to delete a United Artists credit and the cuff song shortened
The Asphalt Jungle Packaging Photos :: Criterion Forum Audio commentary from 2004 by film historian Drew Casper, featuring recordings of actor James Whitmore New interviews with film noir historian Eddie Muller and cinematographer John Bailey Archival footage of writer-director John Huston discussing the film Pharos of Chaos, a 1983 documentary about actor Sterling Hayden Episode of the television program City Lights from 1979 featuring John
The Lists Project - criterionforum. org 81 Variety Lights 91 The Blob 92 Fiend Without a Face 113 Big Deal on Madonna Street 148 Ballad of a Soldier 154 the Horse's Mouth 189 the White Sheik 202 Indiscretion of an American Wife Terminal Station 213 Richard III 243 French Cancan 244 Elena and Her Men 246 I Vitelloni 270 Casque d'or 271 Touchez pas au grisbi 274 Night and the City
Charlie Chaplin and Criterion - Page 9 - criterionforum. org City Lights (as well as the already released Modern Times) is the only one I am really pining to purchase Being a big title in his filmography, I am surprised it hasn't been released yet and that we may have to wait even longer I figured City Lights would have been high in the queue along with Modern Times, Gold Rush and The Great Dictator
WALL·E Review :: Criterion Forum When he turns on the string lights, the shadows in the background gain depth and clarity, while the lighting transitions naturally into darker areas Moments like WALL·E cleaning his dustpan under an ominous gray sky stand out, with the subtle gradations in the clouds appearing far smoother and more foreboding
Charles Chaplin - criterionforum. org It's an extrodinary film, and deserves to be revisited by many and not be looked at under conventional grounds Perhaps the best film he made since Verdoux; it sits among his other masterpieces City Lights, Woman of Paris, The Gold Rush, and the aformentioned Verdoux
The Asphalt Jungle Details :: Criterion Forum In a smog-choked city somewhere in the American Midwest, an aging criminal mastermind, newly released from prison, hatches a plan for a million-dollar jewel heist and draws a wealthy lawyer and a cherry-picked trio of outlaws into his carefully devised but inevitably doomed scheme Anchored by an abundance of nuanced performances from a gifted ensemble—including a tight-jawed Sterling Hayden
The Comfort of Strangers Packaging Photos :: Criterion Forum Audio commentary by director Paul Schrader, newly recorded for this release Prospectus for a Course Not Given: The Paul Schrader Film Masterclass (1982, 100 mins, audio only): Paul Schrader provides an illuminating precis of the film course he had recently presented in America Paul Schrader Guardian Interview (1993, 85 mins, audio only): the
The Gold Rush Review :: Criterion Forum Finally we get a 25-minute interview with composer Timothy Brock about the music by Charles Chaplin Brock talks about Chaplin’s musical background and gives a history of the scores Chaplin would do for his own films, starting with City Lights Brock then talks about his own restoration work the new recordings he’s made of Chaplin’s work