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Alexa XT SXT Sensor Size Confusion - ARRI - Cinematography. com I'm doing a little format research and comparing film to digital sensors I'm struggling to match things up with the Alexa XT SXT sensor According to Arri (alexa sensors) The camera's custom developed CMOS Bayer sensor has the same height and width as a 35mm film frame This has a number of adv
Can anyone point to whether Arri is actually struggling financially . . . Arri for better or worse, has forced the other brands into territories nobody expected them to be in and Arri themselves, haven't dramatically innovated Sure the Alexa 35 is a stellar camera, with wonderful color science and an imager which has fantastic dynamic range, but so is the Venice II and Burano
Arri 435 movement - ARRI - Cinematography. com Arri rental berlin actually checked out, calibrated and tested my sr3 pro when i got it So it doesn’t even need to be at arri munich but they definitely have all the knowledge down there Definitely won’t be anyone or any gear coming to germany either, all the big production companies and streaming services have called off all projects in
Arri SR3 lens compatibility - ARRI - Cinematography. com The main culprits are certain older Arri Standard mount lenses that were made for the Arriflex 16S, like Cooke Kinetals and some Schneiders The 16S had more mirror clearance than later cameras, so be careful with any wide angle lens in Arri Standard mount Any lens in Arri Bayonet mount should be OK on an SR3 with a PL adapter
what arri to by? - 16mm - Cinematography. com Arri was 15 years too late in reacting in any significant way to 16mm shoulder camera development when they presented the SR-series in 1975, and the philosophical underlyings of the SR-series' quick-change magazines on that annoying base-plate were outdated when new
Arri Alexa classic vs the XT: major differences? - ARRI . . . All ARRI cameras from the last 10 years use the same ALEV III image sensor (in a single, double or triple configuration, for S35, LF and 65), so you should not expect differences in the image itself between two ARRI cameras of the same format, especially if you record to ARRIRAW and not perform the actual image processing in-camera
Arriflex 16S, S B, M, M B, BL Pricing - ARRI - Cinematography. com Also remember, regardless of what sellers are stating on the auction site, the Arri 16S is an MOS camera It is not anywhere close to silent If you want to shoot sync sound, you need a crystal controlled motor for the camera and a blimp The Arriflex 16S, without torque motor or 400ft magazine, is a great run- -gun 16mm motion picture camera
Purchased an Alexa Classic in 2025. Am I crazy? - ARRI - Cinematography. com The Arri Amira is one I just picked up for a couple thousand dollars more than what an Alexa would go for and it is that amazing imager with all of the design flaws solved The 5-pin audio breakout on the Alexa being right next to the lens is a confusing design choice regardless of what kind of crew is using the camera
Arri BL-4 - 35mm - Cinematography. com The Arri-BL3, BL4, BL4S, and Evolution are not radically different, other than the Evolution and BL4S may be a little quieter and you may like their viewfinders better Isn't the Evolution an Arri-BL3 that has been modified to be more like the BL4S?
Lenses for Arriflex - ARRI - Cinematography. com The ARRI standard mount is a bayonet mount Bayonet or spigot stands for quick slip-in or snap-on Other concepts are the PL mount (Positive Lock), threads, and different kinds of twist locks ARRI specifies 51,98 mm +0-0,01 by the way