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What is the 5-link movement in Arri (and Moviecam) cameras? Arri never adopted that pulldown system because they were all about registration and of course, they wanted to own (patent wise) what they sold 3) Registration pins and overlap are both very interesting So as the pulldown pulls the film down, the registration pins recess into the movement as depicted in the video
Can anyone point to whether Arri is actually struggling financially . . . Arri for better or worse, has forced the other brands into territories nobody expected them to be in and Arri themselves, haven't dramatically innovated Sure the Alexa 35 is a stellar camera, with wonderful color science and an imager which has fantastic dynamic range, but so is the Venice II and Burano So is the Red V-Raptor
What does it really mean to shoot open gate? - Cinematography. com Also, reading the latest American Cinematographer the DP talking about previously shooting open gate arri raw with anamorphic and then shooting on spherical lenses and not using the open gate mode said" we wanted to get really close to the actor, so we used spherical lenses and only part of the sensor so it was easier to shoot and be more
Panavision vs. Arriflex - 35mm - Cinematography. com Panavision is rental only, and Arri sell their cameras I believe that is because Panavision can upgrade their cameras without releasing new models that would appeal to people wishing to buy I can't say I understand that logic Most people interested in buying a Panaflex probably won't mind if the design is 30-odd years old, or if the design isn't all that ergonomic I think it's a rather
Is it true that Arri has a camera in the works with an Alexa 65 sensor . . . I heard that the smaller ARRI 65 will still use the old sensor -- the problem with the new Alexa 35 sensor is that the outputs run along the top bottom, so it can't be turned 90 degrees and two stitched to create an LF or three to create a 65 version Ah got ya, so the idea is to just use that imager in a smaller body
Alexa XT SXT Sensor Size Confusion - ARRI - Cinematography. com I'm doing a little format research and comparing film to digital sensors I'm struggling to match things up with the Alexa XT SXT sensor According to Arri (alexa sensors) The camera's custom developed CMOS Bayer sensor has the same height and width as a 35mm film frame This has a number of adv
Arriflex 16S, S B, M, M B, BL Pricing - ARRI - Cinematography. com But an Arri 16S uses a slightly smaller registration pin that doesn’t fully fill the perf height, so it makes sense to have it minutely advance the film each time it enters, as Tim describes, essentially using the lower surface of the perf for registration Noise wasn’t an issue for these cameras
ARRI - Cinematography. com Arri 16 BL EQ sound synch By Lukas Heinser, February 18 arri arri16bl (and 2 more) 4 replies 6 8k views Lukas Heinser February 21
Arriflex cameras - ARRI - Cinematography. com I've always wanted a real film camera or two Information about older cameras is hard to find but after digging a bit, it looks like a couple good ones in my budget are the Arriflex 35 BL3 and the Arriflex 35 III Wikipedia doesn't mention anything except by saying that the II series was supersed
Arri Alexa classic vs the XT: major differences? - ARRI . . . All ARRI cameras from the last 10 years use the same ALEV III image sensor (in a single, double or triple configuration, for S35, LF and 65), so you should not expect differences in the image itself between two ARRI cameras of the same format, especially if you record to ARRIRAW and not perform the actual image processing in-camera