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A New Leaf | Ending Homelessness, Domestic Violence, More overcome the challenges of homelessness, domestic violence, and more A New Leaf’s Housing and Shelter programs offer solutions to families and individuals facing homelessness or housing instability
A New Leaf (film) - Wikipedia A New Leaf is a 1971 American black comedy film written and directed by Elaine May in her directorial debut, based on the short story "The Green Heart" by Jack Ritchie It stars May, Walter Matthau , Jack Weston , George Rose and James Coco
A New Leaf A New Leaf’s mission is to provide job training, life skills and residential services to elevate confident independence and self-sufficiency for people with intellectual and developmental disabilities and autism
A New Leaf (1971) - IMDb A New Leaf: Directed by Elaine May With Walter Matthau, Elaine May, Jack Weston, George Rose When Henry Graham's lawyer informs him that his playboy lifestyle has consumed all of his funds, he must avoid sliding don the social ladder
A New Leaf movie review film summary (1971) - Roger Ebert Elaine May’s “A New Leaf ” is a love story about these two people, who are in desperate need of each other even if he doesn’t know it Matthau plays an aging bon vivant who has squandered his fortune and is told by his butler that he has few choices: Suicide, perhaps, or marrying money
A New Leaf (1971) - FilmAffinity With a temporary loan from Uncle Harry to tide him over, Henry has six weeks to find a bride, marry her, and repay the money, or else he must forfeit all his property to his uncle With only days remaining, Henry meets clumsy, painfully shy heiress Henrietta Lowell (played by director Elaine May)
Nonprofit of the Month: A New Leaf - Fabulous Arizona A New Leaf is planning to put an end to family homelessness across the Valley, and that starts with some big projects With the help of our community, we have opened new homeless shelters in Mesa, Phoenix, Surprise and even Avondale
A New Leaf (1971) By Carrie Courogen - Library of Congress At Paramount, two new heads—young heads, for a change, hip heads—of production, Robert Evans and Peter Bart, set out in 1968 with an ambitious plan to turn the woefully out-of-touch ship around Gone were the formulaic star vehicles, where celebrity was of more importance than story