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- Smarthistory
The brilliant histories of art belong to everyone, no matter their background Smarthistory’s free, award-winning digital content unlocks the expertise of hundreds of leading scholars, making the history of art accessible and engaging to more people, in more places, than any other publisher
- Smarthistory – AP®︎ Art History
We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free
- Smarthistory – Start here
We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free
- Smarthistory – Reframing Art History a new kind of textbook
Global perspectives through an open-access multimedia "textbook" for the 21st century Reframing Art History, an open-access multimedia art history "textbook," gives you a guided journey through the living, breathing, meaningful side of art history We’re less concerned with names and dates than with meaning and movement With chapters developed by a group of more than 50 experts, it
- Smarthistory – Our mission
Smarthistory has become the most visited art history resource in the world We are the official provider of art history for khanacademy org and we support AP and A-level art history and students, instructors, and lifelong learners everywhere
- Smarthistory – Ancient Mediterranean + Europe
We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free
- Smarthistory – A-level History of Art
We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free
- Smarthistory – Jean-Honoré Fragonard, The Swing
This oil painting known as The Swing was created by the French artist Jean-Honoré Fragonard sometime during 1767 and 1768 A gentleman of the court reportedly requested the painter represent his mistress being pushed on a swing as he secretly admired her from below While the figures in the work are not identifiable as portraits of specific individuals, their rich attire and leisurely
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