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  • Shane (film) - Wikipedia
    Shane, a laconic but skilled gunfighter with a mysterious past, [5] rides into an isolated valley in the sparsely settled Wyoming Territory in 1889 A drifter, he is hired as a farmhand by hardscrabble rancher Joe Starrett, who is homesteading with his wife, Marian, and their young son, Joey
  • Shane (1953) - IMDb
    Shane: Directed by George Stevens With Alan Ladd, Jean Arthur, Van Heflin, Brandon De Wilde An ex-gunfighter defends homesteaders in 1889 Wyoming
  • Shane movie review film summary (1953) | Roger Ebert
    Yes, on the surface, Shane is the gunfighter who wants to leave his past behind him, who yearns for the sort of domesticity he finds on Joe Starrett’s place in the Grand Tetons Yes, someone has to stand up to the brutal Rufus Ryker (Emile Meyer), who wants to tear down the fences and allow his cattle to roam free
  • Shane 1953 (Alan Ladd, Jean Arthur, Jack Palance) - Archive. org
    Shane must clear out all the guns from the valley Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like Joe Starrett and his family, whose land Ryker wants When Shane
  • Shane (1953) - Movie - YouTube
    The simple story of a Wyoming range war is elevated to near-mythical status in producer director George Stevens' Western classic Shane Alan Ladd plays the t
  • Shane (novel) - Wikipedia
    Shane – the protagonist, a mysterious gunslinger who enters into the life of Joe Starrett and his family and carves a place for himself in their hearts Although he tries to leave his gunslinging past behind, refusing even to carry a gun, he decides to fight Fletcher in order to save Starrett's farm
  • Shane (1953) - Greatest Films
    Shane (Alan Ladd), a retired, golden-haired, mysterious, fringe-buckskinned gunslinger-knight, rides onto a Wyoming fledgling frontier farm on a chestnut horse with white-stockinged feet
  • Shane | Western, Classic, Iconic | Britannica
    Shane, American western film, released in 1953, that is a classic of the genre, noted for exploiting the elegiac myths of the Old West via a unique juxtaposition of gritty realism and painstakingly composed visual symmetry




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