- Madrigal - Wikipedia
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers [1]
- What Is a Madrigal? A Brief History of Madrigals in Music
A madrigal is a type of secular, polyphonic song that became popular during Europe's Renaissance and early Baroque periods Traditional madrigals are performed a cappella, with two to eight voice parts on a given madrigal
- Madrigal | Renaissance, Polyphonic Secular Styles | Britannica
madrigal, form of vocal chamber music that originated in northern Italy during the 14th century, declined and all but disappeared in the 15th, flourished anew in the 16th, and ultimately achieved international status in the late 16th and early 17th centuries
- MADRIGAL Definition Meaning - Merriam-Webster
The meaning of MADRIGAL is a medieval short lyrical poem in a strict poetic form
- What is a Madrigal? (with picture) - Musical Expert
A madrigal is a piece of music which is intended to be sung by two to six voices in polyphonic harmony This musical form ranges widely in style and content, although most madrigals are secular compositions, with love being a popular theme, especially in later 17th century madrigals
- What is madrigal in music? - California Learning Resource Network
A madrigal is a style of vocal music that originated in Italy in the 16th century and spread to other parts of Europe, particularly England, during the Renaissance The madrigal is characterized by its complex harmonies, rich melodies, and poetic lyrics, typically written in Italian
- What is a madrigal in music? - Classical Music
A madrigal is secular choral work characterised by intricate counterpoint and imitative figuration ‘Of course, this sort of music’s not intended for an audience, you see’ With these encouraging words, Kinglsey Amis’s Professor Welch prepares Jim Dixon for an evening of mirthless middle-class jollity in Lucky Jim
- A Brief History of the Madrigal
The madrigal began in Modena, Italy as an outgrowth of a 14th 15th century Italian form called the frottola When the cathedrals and nobility in Tuscany and Lomdardy began hiring Burgundian (also known as Flemish) choir-masters like Jacob Arcadelt, Josquin des Prez and Philip Verdelot, the music began to change
|