- Romeo and Juliet - Entire Play | Folger Shakespeare Library
In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable
- Romeo and Juliet - Folger Shakespeare Library
Read and download Romeo and Juliet for free Learn about this Shakespeare play, find scene-by-scene summaries, and discover more Folger resources
- Romeo and Juliet - Folgerpedia
In Romeo and Juliet, one of William Shakespeare's plays, Shakespeare creates a violent world, in which two young people fall in love It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud
- Romeo and Juliet - Folger Shakespeare Library
In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable
- About Shakespeare’s Romeo and Juliet - Folger Shakespeare Library
In Romeo and Juliet, Shakespeare creates a world of violence and generational conflict in which two young people fall in love and die because of that love The story is rather extraordinary in that the normal problems faced by young lovers are here so very large
- Romeo Juliet - Folger Shakespeare Library
In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud
- Romeo and Juliet - Act 1, scene 1 | Folger Shakespeare Library
In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable
- Romeo and Juliet, first edition - Shakespeare Documented
The first edition of Romeo and Juliet is over one-fifth shorter than the second edition, and possesses significant linguistic and theatrical differences; it was thus once classified as a “bad quarto ”
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